The Paris metro’s Franklin D. Roosevelt stop used to be a step back in time. You got on the train in the beginning of the 21st
century and got off in the middle of the 20th. The platform for the number 1 line, in
dashing shades of bright orange and steely blue, was particularly evocative. You half expected Walt Disney to step
out of the wings singing “There’s a Great Big Beautiful Tomorrow.” While Wikipedia tells me that this
version of the station’s decor was unveiled in 1957, to me it looked like the
mid-1960s, sending me on a magical mystery tour of my earliest memories, of
cone-shaped paper cups at water fountains, of my dad’s Pontiac in the driveway,
and snippets of the New York World’s Fair. All I remember of that event are the dinosaurs at the Ford Pavilion (which later ended up at Disneyland), that Space-Age globe (which
still hovers over Flushing Meadows), and terrifying fireworks that made me
cry. It was a time when technology was the key to the future,
science could solve all problems, and messy wars like that one in Europe were a
thing of the past. Never mind that
there was a seriously messy conflict going on in Vietnam. That was something you could choose not
to think about while you teased your hair into a beehive.
Until I saw that metro
station, I never even realized that the Space Age arrived in France, despite
having seen Barbarella. It
just wasn’t something you expected to see just underneath the Champs Elysées. But there it was, with the words “Franklin
D. Roosevelt” spelled out in bold American letters, lit up from below like a
cinema marquee. True, it was worn and somewhat seedy
looking, but that gave it a ragged nostalgic charm. It was as if you had come across a sunken relic of another
age, like the forgotten New York subway in Beneath the Planet of the Apes.
But alas, it’s close proximity
to the Champs Elysées, that yawning commercial mouth dedicated to digesting
tourist dollars, made it inevitable that someone at the mayor’s office would
decide it was time to give Franklin D. a makeover. Didn’t anyone tell them that “mid-century” design was all
the rage? Whose idea was it to
turn the number 1 platform into a trendy club? Black and gold brick, digital screens showing videos no one
bothers to understand…it feels like a giant advertisement for something
expensive. I like the fact that the ceiling seems
to have sprung a leak and the paint on the gold tiles is already peeling. Serves them right for going against the
glorious grain of time.
But all is not lost. There is still the number 9 line platform
to admire. An awesomely awful
combination of grey and gold with bright yellow molded plastic seating, it
still harkens back to the days of LBJ and Charles de Gaulle, of Ford Mustangs
and Simca 1000s, of Ann-Margaret and Brigitte Bardot…ah, here’s to the memories,
real or imagined…